Can you take photos of the Last Supper?
The better argument, whatever the rule is
You have fifteen minutes with something that photographs badly and reproduces everywhere. A phone held up for three of those minutes costs you a fifth of the visit and and many fine images are already published. If you take one piece of advice from this site, take that one — and read what you actually see beforehand so you know where to point your attention instead.
What works
- The church and the wider complex are a different proposition from the refectory
- Staff give the instruction clearly at check-in, so you will not be guessing
- Published images of the mural are widely available
Worth knowing
- Flash and tripods should be assumed out in a climate-controlled room
- Time spent filming comes out of fifteen minutes, not out of nowhere
- Rules can change, so the instruction on the day is the one to follow
Ask the question at check-in rather than inside. Sorting it out before the doors open is the difference between knowing where you stand and losing two minutes of the slot to a conversation with a member of staff.
A note about our own photographs
None of the pictures on this site shows the mural. They are the church, the tribune, the cloister and the city. If you want to study the painting itself before you go, use a published reproduction, then spend the fifteen minutes on the room — the reasons that is the better trade are on the worth-it page.
Frequently asked questions
Are photos allowed in the Last Supper refectory?
Treat the instruction given at check-in as the rule, and assume flash and tripods are out. The room is climate-controlled and your slot is fifteen minutes, so it is best settled before you go in.
Can I film during the visit?
Ask before you go in. Whatever the answer, filming spends part of a fifteen-minute slot you cannot extend — see how long the visit is.
Why are there no photos of the painting on this site?
Because our own images are of the church, the tribune, the cloister and the city, and none of them shows the mural. What is on the wall is described instead on what you actually see.